Break A Leg - Part 1 - The Curse
In the world of theater, there are several productions that are famous for supposedly being cursed. Over the course of numerous years and renditions of the same show, actors have been injured, died, or been killed under mysterious circumstances, sometimes while on stage (in one particularly famous incident, an actor was killed in front of a packed audience after the retractable knife blade he was stabbed with failed to retract; the audience thought it was an excellent special effect coupled with brilliant death acting). Stagehands fall to their death from the rafters. Theaters burn down. Technical failures plague the crew night after night.
My current client, who we’ll call Charlotte, is involved in a show with a similar reputation, which is playing in New York as we speak. Charlotte is a gorgeous blonde actress on her way to becoming a theater headliner; in the next five or ten years, a successful film career is practically guaranteed. If you live in the city, you might have even heard her name. Though young, she has built up a very impressive resume since graduating from NYU Tisch three years ago.
In other words, it is no surprise she was dramatic on the phone with me yesterday about her problem (“Murder,” she simply said, perhaps expecting an outpouring of gasps from myself – fat chance). I will state now that I generally hate working for anyone in the drama business. More flakes in that crowd than a bowl of cereal. However, I’m not too picky with my clients. Money is money. And Charlotte has an incredible body.
Charlotte came down to my office today and told me her problem, and it’s a little more complicated than just murder. More like attempted murder. Or rather, attempted murder that no one else believes is attempted murder.
Rehearsal for the show began a few months ago, and since then, Charlotte claims she has had numerous brushes with death. During the first week, one of the houselights dropped from the rafters and came inches from putting a permanent dent in her skull. Though everyone was spooked at the time, nervous half-jokes were made about the curse of this particular play and it was brushed aside as an accident. Then, sometime later, Charlotte was standing on the second floor balcony of the set when the entire construction fell apart beneath her, sending her to the ground (luckily, only bruises and stitches in her right arm resulted). Still later, she returned to her dressing room one evening to find all the mirrors inside smashed.
Charlotte’s director became worried, and called the police to have them investigate. They showed up, interviewed the cast, inspected the theater, and spent a week checking in periodically to make sure nothing further happened. Nothing did, and in the end they found no further leads. All coincidence, they said: a random act of vandalism coinciding with poorly built sets coinciding with improper lighting grid usage. The curse rumors came back in full force.
Since then, the show has opened to rave reviews, and Charlotte has certainly not been cursed in her acting ability. However, she cited half a dozen further incidents that leads her to believe the attack is still ongoing. While various accidents are bound to happen in any production, very rarely is it all totally focused at one person.
Charlotte is scared. She thinks that someone is trying to kill her. She has gone back to the police, but claims they are treating her like she’s paranoid. The recent incidents haven’t been as potentially harmful as the first, and the cops are still big on their coincidence theory. Which is why she came to me.
If you haven’t realized before, I’m very specific on knowing exactly what it is my clients want above all else. In this case, does Charlotte want the dangerous acts to stop? Or does she want to know who the culprit is? Charlotte said both, though I warned her that the two were sometimes mutually exclusive. Ultimately, she said she was more interested in knowing the incidents had stopped permanently, so she could give full attention to the show. It’s hard to act in front of a crowded theater when one eye keeps glancing up at the sandbag hanging precariously from the ceiling. However, she stressed that she was just as anxious to know who was behind it all. I joked that if it truly was a curse, there was little I could do to stop it, though she didn't crack a smile.
Charlotte’s director, Marco, is paying my salary. He’s very concerned about the well-being of his actors, if for no better reason than a lot of money rides on their being able to perform each night. She gave me tickets to come see the show tomorrow, and I’m supposed to go backstage either before or after. I’m looking forward to it. I haven’t been to the theater in ages.
I almost told her to “break a leg” when she went out the door, but decided against it.
My current client, who we’ll call Charlotte, is involved in a show with a similar reputation, which is playing in New York as we speak. Charlotte is a gorgeous blonde actress on her way to becoming a theater headliner; in the next five or ten years, a successful film career is practically guaranteed. If you live in the city, you might have even heard her name. Though young, she has built up a very impressive resume since graduating from NYU Tisch three years ago.
In other words, it is no surprise she was dramatic on the phone with me yesterday about her problem (“Murder,” she simply said, perhaps expecting an outpouring of gasps from myself – fat chance). I will state now that I generally hate working for anyone in the drama business. More flakes in that crowd than a bowl of cereal. However, I’m not too picky with my clients. Money is money. And Charlotte has an incredible body.
Charlotte came down to my office today and told me her problem, and it’s a little more complicated than just murder. More like attempted murder. Or rather, attempted murder that no one else believes is attempted murder.
Rehearsal for the show began a few months ago, and since then, Charlotte claims she has had numerous brushes with death. During the first week, one of the houselights dropped from the rafters and came inches from putting a permanent dent in her skull. Though everyone was spooked at the time, nervous half-jokes were made about the curse of this particular play and it was brushed aside as an accident. Then, sometime later, Charlotte was standing on the second floor balcony of the set when the entire construction fell apart beneath her, sending her to the ground (luckily, only bruises and stitches in her right arm resulted). Still later, she returned to her dressing room one evening to find all the mirrors inside smashed.
Charlotte’s director became worried, and called the police to have them investigate. They showed up, interviewed the cast, inspected the theater, and spent a week checking in periodically to make sure nothing further happened. Nothing did, and in the end they found no further leads. All coincidence, they said: a random act of vandalism coinciding with poorly built sets coinciding with improper lighting grid usage. The curse rumors came back in full force.
Since then, the show has opened to rave reviews, and Charlotte has certainly not been cursed in her acting ability. However, she cited half a dozen further incidents that leads her to believe the attack is still ongoing. While various accidents are bound to happen in any production, very rarely is it all totally focused at one person.
Charlotte is scared. She thinks that someone is trying to kill her. She has gone back to the police, but claims they are treating her like she’s paranoid. The recent incidents haven’t been as potentially harmful as the first, and the cops are still big on their coincidence theory. Which is why she came to me.
If you haven’t realized before, I’m very specific on knowing exactly what it is my clients want above all else. In this case, does Charlotte want the dangerous acts to stop? Or does she want to know who the culprit is? Charlotte said both, though I warned her that the two were sometimes mutually exclusive. Ultimately, she said she was more interested in knowing the incidents had stopped permanently, so she could give full attention to the show. It’s hard to act in front of a crowded theater when one eye keeps glancing up at the sandbag hanging precariously from the ceiling. However, she stressed that she was just as anxious to know who was behind it all. I joked that if it truly was a curse, there was little I could do to stop it, though she didn't crack a smile.
Charlotte’s director, Marco, is paying my salary. He’s very concerned about the well-being of his actors, if for no better reason than a lot of money rides on their being able to perform each night. She gave me tickets to come see the show tomorrow, and I’m supposed to go backstage either before or after. I’m looking forward to it. I haven’t been to the theater in ages.
I almost told her to “break a leg” when she went out the door, but decided against it.
